Kiss Goodnight Lyrics – Disneyland Forever Post-Show (Disneyland)

*Sung lyrics in bold.

(Disneyland Forever Fireworks end. Post-show music begins: “Kiss Goodnight” by Richard Sherman.)

NARRATOR
We hope you enjoyed Disneyland Forever, and we’d like to leave you with one more magical thought. Walt Disney wanted the nightly fireworks to be like a kiss goodnight—a little bit of pixie dust to end your visit to this Magic Kingdom. It’s a tradition we honor and cherish to this day. And so, we wish you a lifetime of dreams come true and hope you always remember your special “Kiss Goodnight” at the Happiest Place on Earth.

SOLOIST (ASHLEY BROWN)
To the land of imagination,
There’s a wondrous magical door.
No one knows where the door is hidden,
Yet we’ve all been there before.

For within every heart lies a secret
That reveals a mystery.
And the secret is this,
Just a gentle kiss is the key.

A kiss goodnight
Is the doorway to Dreamland.
A kiss goodnight
Is where memories begin.

Just close your eyes,
And you’ll see where your fantasies dwell.
To your surprise,
What a fabulous tale they tell.

A kiss goodnight
Is the start of a journey
To deep in your heart,
Where your memories shine.

Oh, the joy and the wonder you feel on a magical flight
Begins with a kiss goodnight.

A kiss goodnight
Is the doorway to Dreamland.
A kiss goodnight
Is where memories begin.

Just close your eyes,
And you’ll see where your fantasies dwell.
To your surprise,
What a fabulous tale they tell.

A kiss goodnight
Is the start of a journey
To deep in your heart,
Where your memories shine.

Oh, the joy and the wonder you feel on a magical flight
Begins with a kiss goodnight.
It begins with a kiss goodnight!

(Exit music begins: “Live the Magic.”)

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Mickey and Friends Tram (Disneyland Resort)

(Tram pulls up to the loading area at the Mickey and Friends Parking Structure.)

ANNOUNCER
Hello everyone! Welcome aboard the Mickey and Friends Tram. Please lower your head and watch your step while boarding.  Please place young children toward the inside of the tram—away from the sides. There may be no lap sitting, except for very young children who are sitting with their parents. Children may not ride in strollers. Strollers should be folded and safety stored before we leave.  As a courtesy to other passengers, we ask that there be no eating, drinking, or smoking on board. In just a few moments, we will begin our trip to the Disneyland Resort Main Entrance Plaza. Thank you.

(CONDUCTOR announces final boarding call and “no more boarding at this time.”)

ANNOUNCER
For your safety,  remain seated with the doors closed—keeping your hands, arms, feet, and legs inside while the tram is moving—and supervise your children.

SPANISH SAFETY ANNOUNCER
Para su seguridad, favor de permanecer sentados con las puertas cerradas, manteniendo su manos, brazos, pies, y piernas adentro mientras el tranvía esta moviendo. Y vigilen a sus niños. Gracias.

CONDUCTOR (Exact wording varies.)
Ladies and gentlemen, this tram is ready to depart. Driver, you are clear.

(Tram begins moving.)

ANNOUNCER
Please hold on to hats, glasses, or any loose items that may fall from the tram. If an article should fall, please stay seated until the next stop, and inform the nearest cast member. Thank you.

(CONDUCTOR makes current announcements and tells the driver when the turn is clear.)

ANNOUNCER
We are now en route to the Disneyland Resort Main Entrance Plaza—gateway to Disneyland Park, Disney California Adventure Park, and the Downtown Disney District. If you are here just for the  day, our One-Day Park Hopper Ticket offers same-day admission to both Disneyland and Disney California Adventure. If you have  more time to spend, multi-day tickets and annual passes are an especially good value.

Before entering the parks, we’d like to remind you that smoking is not permitted. except in designated areas. If you have brought your own food or beverage, please use the picnic area located just to the left of the Disneyland main entrance. If you plan to leave the park and return later today, please keep your ticket and have your hand stamped as you exit.

(CONDUCTOR makes announcement with the day’s hours for each park.)

ANNOUNCER
Just ahead is the  Downtown Disney District, with exciting shopping, dining, and live entertainment. Just beyond it is Disney’s Grand Californian Hotel and Spa—inspired by the famed Arts and Crafts movement in California.

We are now  approaching the Main Entrance Plaza. At the end of your visit, please return here to take the Mickey and Friends Tram back to the parking area. The trams will continue running until one hour after the latest park closing time.

Please stay seated with the doors closed until the tram comes to a full stop. Then gather your belongings, watch your step, and exit to the driver’s right. Thanks for traveling with us today, and we hope you have a happy and memorable visit to the Disneyland Resort!

(Trams arrive at their stop. CONDUCTOR makes another announcement about exiting to the driver’s right-hand side. Guests exit, and the tram drives forward to the pickup location for new guests.)

ANNOUNCER
Hello, everyone! This is the Mickey and Friends Tram—traveling to the parking structure and the Pinocchio Parking Lot. Please lower your head and watch your step while boarding. Please place young children toward the inside of the tram—away from the sides. There may be no lap sitting, except for very young children who are sitting with their parents. Children may not ride in strollers. Strollers should be folded and safety stored before we leave.  As a courtesy to other passengers, we ask that there be no eating, drinking, or smoking on board. As a reminder, this is the Mickey and  Friends Tram—serving the parking structure and the Pinocchio Parking Area. Thank you! We will begin our trip shortly.

(CONDUCTOR announces final boarding call and “no more boarding at this time.”)

ANNOUNCER
For your safety,  remain seated with the doors closed—keeping your hands, arms, feet, and legs inside while the tram is moving—and supervise your children.

SPANISH SAFETY ANNOUNCER
Para su seguridad, favor de permanecer sentados con las puertas cerradas, manteniendo su manos, brazos, pies, y piernas adentro mientras el tranvía esta moviendo. Y vigilen a sus niños. Gracias.

CONDUCTOR (Exact wording varies.)
Ladies and gentlemen, this tram is ready to depart. Driver, you are clear.

(Tram begins moving.)

ANNOUNCER
Please hold on to hats, glasses, or any loose items that may fall from the tram. If an article should fall, please stay seated until the next stop, and inform the nearest cast member. Thank you.

If you will be returning to the park later today, please keep your ticket and show your hand stamp to re-enter. If you will be leaving the guest parking area and returning later today,  just show today’s parking ticket to re-enter the parking area.

As you travel through our resort, we’d like to remind you that our guest parking areas have a speed limit of 14 miles per hour. We ask that you please observe this speed limit and yield the right of way to Disneyland vehicles, whether you are walking or driving.

We are now  approaching the Mickey and Friends tram stop—which serves the Mickey and Friends Parking Structure  and the Pinocchio Parking Area. Please remain seated with the doors closed until the tram has come to a full stop. Then gather your belongings, lower your head, and watch your step—exiting to the driver’s left.

On behalf of all our cast members, we’d like to thank you for joining us today. Once in your car, please be sure to buckle up, and have a happy and safe journey home!

(Trams arrive at their stop. CONDUCTOR makes another announcement about exiting to the driver’s left-hand side. Guests exit.)

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Disneyland Monorail (Disneyland)

(Guests board at Tomorrowland Station.)

NARRATOR
Hello, everyone! Welcome aboard the Disneyland Monorail. We are now beginning a two-and-a-half mile journey to Downtown Disney Station and back. For a safe trip, remain seated, keeping your hands, arms, feet, and legs inside the cabin. Be sure to watch your children—and no smoking, please.

(Spanish safety spiel.)

You are riding aboard the Mark VII—the latest generation of Disneyland monorails. When Walt Disney introduced this attraction in 1959, it was the first daily-operating monorail system in the Western Hemisphere.

Just ahead is Disney California Adventure, where you’ll find Disney stories told in unique and exciting new ways. That towering hotel in the distance is home to Twilight Zone Tower of Terror—where you can literally drop in on Hollywood history.

We are now passing Grizzly Peak: land of scenic wonders—where you can experience the beauty and exhilaration of free flight in Soarin’!

Coming into view is Disney’s Grand Californian Hotel and Spa. This Imagineering masterpiece is inspired by the state’s natural wonders and features the Arts and Crafts style of the 19th century.

We are now arriving at Downtown Disney Station—gateway to the Downtown Disney District and the Disneyland Resort hotels. If you will be leaving us here and returning later today, please hold on to your park ticket and have your hand stamped as you leave the station. You may re-board the monorail for a return trip to Tomorrowland up until one half-hour prior to Disneyland closing.

Please remain seated until the monorail comes to a complete stop, and the doors have opened. Then gather your belongings, lower your head, watch your step, and exit to the left of the monorail. Thanks for traveling with us today, and we hope you enjoy your visit to the Disneyland Resort!

For those of continuing with us, we’ll begin our return trip to Tomorrowland in just a few minutes. Thank you.

(Monorail stops at Downtown Disney Station. Guests exit and new guests board.)

To those of you who have just joined us, welcome aboard the Disneyland Monorail! For your safety, please remain seated, keeping your hands, arms, feet, and legs inside the cabin. Watch your children—and no smoking, please.

(Spanish safety spiel.)

We’re now en route to our final stop—the Tomorrowland Monorail Station. Along the way, you get a bird’s-eye look at the Downtown Disney District, Disney’s Grand Californian Resort and Spa, and Disney California Adventure.

To the left of the monorail is the main entrance of Disneyland—the Happiest Place on Earth! Disneyland is truly an American original. Since its opening in 1955, it has hosted hundreds of millions of guests from around the world—including presidents, kings, and celebrities. It is the original Disney theme park, created and enjoyed by Walt Disney himself.

To the right is our transportation plaza, where you’ll find taxis, hotel shuttles, and public transit stops.

We are about to enter Disneyland. Some of the clearances are pretty tight up ahead, so be sure to remain seated—keeping your hands and arms inside the cabin.

This is Tomorrowland—a land inspired by science fact and fantasy. Below us is the Submarine Lagoon, where you can dive into a fantastic underwater adventure aboard the Finding Nemo Submarine Voyage.

Across the way are the icy peaks of Matterhorn Mountain—home of the world’s most famous bobsled ride. And beneath us is the Autopia—where drivers of all ages travel the road to tomorrow.  As we cruise over Tomorrowland, our pilot would like to share a few program reminders.

PILOT
(Announces upcoming parades, fireworks, Fantasmic! showings, etc., as well as park closing time and the departure time of the last monorail.)

NARRATOR
To the right of the monorail, you just might spot the sparkling gold spires of one of Disney’s most beloved attractions, “it’s a small world”! And now, we’re riding alongside the happiest kingdom of them all: Fantasyland—home of Pinocchio, Snow White, Peter Pan, and other storybook characters.

Please remain seated until the monorail comes to a complete stop. Then collect your belongings, watch your head, and step carefully from the train. On behalf of all of our crew, thanks for traveling with us, and we hope you have a happy and memorable visit here at Disneyland. This is the Tomorrowland Monorail Station!

(Monorail stops in Tomorrowland. Guests exit.)

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Walt Disney’s Enchanted Tiki Room (Disneyland)

*Sung lyrics in bold.

(Pre-show movie.)

NARRATOR
Aloha! And welcome to the natural beauty, wonder, and adventure of our islands. Every day, the gentle rain paints our landscapes with lush vegetation and a colorful variety of exotic flowers. Their alluring beauty and intoxicating fragrance fill our island paradise with enchantment. No less enchanting are the many varieties of brilliantly-colored tropical birds that entertain with delightful song. This incredible bounty of natural beauty was born of the blending of rich volcanic soil with the warm, tropical climate. Among our tasty treasures are flavorful fruits such as bananas, mangos, papayas, and of course, the pineapple. This king of fruits was once so rare and valuable that it was available only to kings. That is, until about a century ago, when a visionary came to our islands. Jim Dole’s idea of making our pineapple available to every family in America seemed, at the time, an impossible dream. But thanks to dedication and innovation, not only did his dream come true, but it grew into the largest producer of fruit in the world! Here in the islands, the pineapple is a symbol of hospitality. That is why it is always a part of the traditional island feast we call “pa’ina.” At a pa’ina, you’ll always find a happy gathering of friends and family—known here as ‘ohana. During these celebrations, our ‘ohana shares laughter, stories, and favorite recipes. And nothing brings out the taste of our tropical paradise like pineapple! So from our ‘ohana to yours, we invite you to enjoy this king of fruits and a taste of the islands wherever you call home. Aloha!

(Pre-show narration.)

MAUI
My name is Maui. Natives call me the Mighty One. I tamed the playful sun and gave my people time. Now they set their clocks by mine, for I am Tropic Standard Time.

KORO
Aloha! (Speaks Hawaiian.) I am Koro—Midnight Dancer. Today my magic feet no move—my head sore! But last night, all tiki gods have big time—zow luau. When drums begin to pound, my head full. Big sound!

RONGO
(Chants in Hawaiian.) Me Rongo—God of Agriculture. My land so good to me, I got time for sport. I fly kite. Me number one kite-flyer. Too bad I don’t have key—then me, I find electricity.

PELE
I am Pele: Goddess of Fire and Volcanoes. Some say I torment poor Ngendei, the Earth Balancer. For when my violent temper rises, the Earth trembles on its foundation!

NGENDEI
Legends say I’m balancing the Earth—but sad to say, I’m just hanging on.

PELE
I’m the one who’s really sad! When I smile it comes out mad!

TANGAROA-RU
They call me Tangaroa-Ru, the East Wind.

HINA KULUUA
And I am Hina, Goddess of Rain.

TANGAROA-RU
We often travel together, wind and rain—through tropic lands across the seven seas!

HINA KULUUA
Come closer so that you may see what magic there is in fantasy.

TANGAROA
I am Tangaroa—Father of all Gods and Godesses. Here in this land of enchantment, I appear before you as a mighty tree. Stand back! Oh, mystic powers, hear my call: from my limbs let new life fall.

ANNOUNCER
(Speaks Hawaiian.) Ladies and Gentlemen, come with us to a world of joyous songs and wondrous miracles—Walt Disney’s Enchanted Tiki Room.

(Guests enter the Tiki Room. Cast member gives spiel and then wakes up Jose.)

JOSE
Ah, buenos dias, señorita. My siestas are getting are getting chorter and chorter. Oh, look at all the people! Welcome to Walt Disney’s Enchanted Tiki Room. Hey, Michael, mi amigo! Pay attention—it’s showtime.

MICHAEL
So it is. And what darling people I have sittin’ under me. Pierre, you rascal, you! Let’s put on the show.

PIERRE
Mon ami, I am always ready, as you say, to put on ze show. (Whistles.) Oh pardon, madame, that whistle was for my good friend Fritz.

FRITZ
Ach tu lieber! I almost fell out of mein upper perch. Glad to see you all aboard—uh, ashore—or—(Laughs.) Verever you are! Mein goodness, you’re all shtaring at us. We better shtart the show rolling!

MICHAEL
Wait! Wait! We forgot to wake up the glee club!

(Whistle blows, followed by loud squawking from the birds.)

JOSE
Ole! Ole! It’s showtime!

CHORUS
In the Tiki, Tiki, Tiki, Tiki, Tiki Room,
In the Tiki, Tiki, Tiki, Tiki, Tiki Room.

JOSE
All the birds sing words,

MICHAEL
And the flowers croon,

CHORUS
In the Tiki, Tiki, Tiki, Tiki, Tiki Room!

JOSE
Welcome to our tropical hideaway,
You lucky people, you!
If we weren’t in the show, starting right away,
We’d be in the audience too!

CHORUS
All together!
In the Tiki, Tiki, Tiki, Tiki, Tiki Room,
In the Tiki, Tiki, Tiki, Tiki, Tiki Room.

JOSE
All the birds sing words,

MICHAEL
And the flowers croon,

CHORUS
In the Tiki, Tiki, Tiki, Tiki, Tiki Room!

MICHAEL
I sing so beautiful—I should sing solo!

JOSE
Si… So low we can’t hear you!

PIERRE
My voice may not be so marvelous, but my profile is out of zis world!

FRITZ
Jawohl, but the trouble is it’s not far enough out of this world. Isn’t that right, Herr Schmidt? Oh-ho, I see—Schmidt has no hair!

JOSE
Mi amigos, stop the clucking. You sound like a bunch of old hens. There’s a lot of birds waiting to go on. For instance…

MICHEL
The boys in the back are kamikaze.

JOSE
Because of their claws?

MICHAEL
No—because they’re macaws!
And our fine feathered friend is a jolly toucan.
And two can sound better than one toucan can.

JOSE
The bird of paradise is an elegant bird.
It likes to be seen, and it loves to be heard.
Most little birdies will fly away,
But the Tiki Room birds are here everyday.

CHORUS
In the Tiki, Tiki, Tiki, Tiki, Tiki Room,
In the Tiki, Tiki, Tiki, Tiki, Tiki Room.

JOSE
All the birds sing words,

MICHAEL
And the flowers croon,

CHORUS
In the Tiki, Tiki, Tiki, Tiki, Tiki Room!

JOSE
Our magnificent production is yet to come,
So strum the guitar, and beat the drum.
We’ve been a hit, and we know you adore us,
So come on, and join us in another chorus!

CHORUS
In the Tiki, Tiki, Tiki, Tiki, Tiki Room,
In the Tiki, Tiki, Tiki, Tiki, Tiki Room.

JOSE
A little softer!

CHORUS
All the birds sing words, and the flowers croon,
In the Tiki, Tiki, Tiki, Tiki, Tiki Room!

JOSE
A little louder!

CHORUS
In the Tiki, Tiki, Tiki, Tiki, Tiki Room,
In the Tiki, Tiki, Tiki, Tiki, Tiki Room.
All the birds sing words, and the flowers croon,
In the Tiki, Tiki, Tiki, Tiki, Tiki Room!

(Song ends.)

JOSE
Let’s give the little birdies a great big hand!

PIERRE
Oui. Applause, applause!

FRITZ
Ja! You down there—mit both hands!

JOSE
And now, señors and señoritas, please place your eyes into the center—of the room, that is. We present the enchanted fountain.

FRITZ
Ach, ja! And the wunderbar bird mobile… Which has birds on it. And it goes round and round. Und dat’s why they call it a “bird mobile.”

MICHAEL
Look, here come the girls!

PIERRE
Madames and monsieur—introducing the lovely ladies of the ensembles. Just like the Follies Bergère with all the feathers. There’s Collette! Allo, Collette. Suzette! Allo, Mimi! Gigi! Fifa! Hehe, oh Fifi!

JOSE
I wonder what happened to Rosita…

BIRD MOBILE
Let’s all sing like the birdies sing:
Tweet, tweet, tweet, tweet, tweet.
Let’s all sing like the birdies sing:
Sweet, sweet, sweet, sweet.

Let’s all warble like nightingales.
Give your throat a treat.
Take your time from the birds,
Now you all know the words:
Tweet, tweet, tweet, tweet, tweet.

JOSE (à la Bing Crosby)
Let’s all sing like the birdies sing
Buh-buh-buh, buh buh-buh-buh, buh buh!

FRITZ (à la Louis Armstrong)
Let’s all sing like the birdies sing,
Tweet, tweet, tweet—
My, that bird sings sweetly!

PIERRE (à la Maurice Chevalier)
Let’s all warble like nightingales—
Ah, Mimi, c’est magnifique!
Take your time from ze birds,
Now you all know ze words.
Sing along with us!

JOSE
Now we want you people down there to sing along with us birds up here. All together now. “Let’s all sing like the birdies sing.”

CHORUS
Let’s all sing like the birdies sing,

JOSE
“Tweet, tweet, tweet, tweet, tweet.”

CHORUS
Tweet, tweet, tweet, tweet, tweet.

JOSE
“Let’s all sing like the birdies sing.”

CHORUS
Let’s all sing like the birdies sing,

JOSE
“Sweet, sweet, sweet, sweet, sweet.”

CHORUS
Sweet, sweet, sweet, sweet, sweet.

JOSE
“Let’s all warble like nightingales,”

CHORUS
Let’s all warble like nightingales,

JOSE
“Give your throat a treat!”

CHORUS
Give your throat a treat.

JOSE
“Take your time from the birds,”

CHORUS
Take your time from the birds,
Now you all know the words:
Tweet, tweet, tweet, tweet, tweet.

JOSE
Everybody whistle!

(Everyone whistles until the end of the song.)

JOSE
Applause! Applause! That’s so good!

FRITZ
Wunderbar! Wunderbar! Give yourself a hand!

PIERRE
Ah, zat was magnifique!

JOSE
Si, no one laid an egg but me.

MICHAEL
And now, ladies and gentlemen, we have something really big for you.

FRITZ
Ja, the birds schtand schtill, und the Tiki Room flies away!

PIERRE
Mon ami, quit talking while I’m interrupting. Ladies and gentlemen, now we present—direct from the islands—a musical luau!

FLOWERS
Tahuwai la a tahuwai wai la,
Ehu hene la a pili koo lua la,
Pututui lu a ite toe la,
Hanu lipo ita paalai.

Tahuwai la a tahuwai wai la,
Ehu hene la a pili koo lua la,
Pututui lu a ite toe la,
Hanu lipo ita paalai.

Au we ta huala,
Au we ta huala.

Tahuwai la a tahuwai wai la,
Ehu hene la a pili koo lua la,
Pututui lu a ite toe la,
Hanu lipo ita paalai.

Tahuwai la a tahuwai wai la,
Ehu hene la a pili koo lua la,
Pututui lu a ite toe la,
Hanu lipo ita paalai.

Au we ta huala,
Au we ta huala.
Huala, huala, huala.

(Tiki idols begin drumming and chanting. The flowers join in for a reprise of “Hawaiian War Chant.” Song climaxes in rain and thunder.)

FRITZ
Ach, somebody has schtolen my thunder!

JOSE
I think someone has left the chower running.

MICHAEL
Be careful, me fine friends. The gods have been angered by all the celebratin’! But, me buckos, every cloud has a silver lining.

PIERRE
Monsieurs et madames, it’s time to say “adieu.” But we hope you will always remember the amazing things which happened here in Walt Disney’s Enchanted Tiki Room.

CHORUS
The birdies had their fling.
You’ve heard the flowers sing.
Tikis play the drums.
Hear them do the chant.
Farewell, and aloha to you!

JOSE
Ole! Ole! Applause! Let’s give the birds a standing ovation! Applause! Up, up, down there! Applause! Everybody stand up on your feet! Ole!

MICHAEL
And now, as long as you’re all standin’…

JOSE
We have a wonderful magic trick for you.

FRITZ
Ja, a wunderbar trick! Everybody, face the door, und the trick is, ve gonna make you all… disappear!

CHORUS
Heigh ho. Heigh ho.
It’s out the door you go.
We hope you’ve all enjoyed the show.
Heigh ho. Heigh ho, heigh ho.

Heigh ho. Heigh ho.
Keep marching in a row,
Don’t stop to look or read a book,
Heigh ho. Heigh ho, heigh ho.

Heigh ho. Heigh ho.
Just lift your feet and go.
We’ll sing this song; you march along!
Heigh ho. Heigh ho, heigh ho.

Heigh ho. Heigh ho.
Step lively—not so slow!
Come back again; we’ll see you then.
Heigh ho. Heigh ho, heigh ho.

Heigh ho. Heigh ho.
Make room for our next show!
There’s folks outside; go take a ride.
Heigh ho. Heigh ho, heigh ho.

Heigh ho. Heigh ho.
It’s out the door you go!
We hope you’ve all enjoyed the show.
Heigh ho! Heigh ho!

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Disneyland Railroad (Disneyland)

(Loading area announcements.)

ANNOUNCER
Your attention please! The Disneyland Limited, now arriving from a trip around Walt Disney’s Magic Kingdom. Passengers will stand by to board.

Your attention please! The Disneyland Limited, now leaving for a grand circle tour of the Magic Kingdom, with stops at New Orleans Square, Mickey’s Toontown, and Tomorrowland. All passengers, board!

(Train stops at Main Street Station.)

NARRATOR
Hello, folks! Welcome aboard the Disneyland Railroad! We’re now embarking on a grand circle tour of the Magic Kingdom, with stops at New Orleans Square, Mickey’s Toontown, and Tomorrowland—followed by a visit to the Grand Canyon and Primeval World. We got a lot of travelin’ ahead of us, so remember: for a safe trip, you need to stay seated, keeping your hands, arms, feet, and legs inside the train. And please, watch your children.

(Spanish safety spiel.)

(Elephant sound.)

Uh oh. Did you folks hear that? Sounds to me like we’ve reached the wilds of Adventureland, where you just might run into a lot of savage critters out there, includin’ lions, and tigers, and tiki birds! Everybody best be on the lookout—ya never know just what may show up.

We’re approaching our first stop: New Orleans Square Station. This station serves Frontierland, New Orleans Square, and Critter Country. If you’ll be leavin’ us here, please remain seated ’til the train comes to a complete stop. Then watch your step while gettin’ off. Have a good time in the frontier, ya hear?! For those of your continuin’ on with us, we’ll be resumin’ our trip in just a moment. This is New Orleans Square!

(Train stops at New Orleans Square Station.)

To those who’ve just joined us, welcome aboard the Disneyland Railroad! To ensure a safe ride, remember to stay seated with your hands, arms, feet, and legs inside the train. And please, watch your kids!

(Spanish safety spiel.)

We’re now enterin’ Splash Mountain—where every day is a “zip-a-dee-doo-dah day!” If you look real hard, you might just find your Laughin’ Place.

SPLASH MOUNTAIN CHORUS (Singing)
Zip-a-dee-doo-dah, zip-a-dee-ay,
My, oh my, what a wonderful day!
Welcoming back Br’er Rabbit today—
We always knew that he’d get away!

He’s had enough of movin’ on now.
It’s where he’s born and bred in.
The briar patch is where he’s headin’.

Zip-a-dee-doo-dah, zip-a-dee-ay,
Wonderful feeling, wonderful day!

Zip-a-dee-doo-dah, zip-a-dee-ay!
My, oh my, what a wonderful day!
Plenty of sunshine heading our way.
We never doubted he’d get away!

Moving on taught him a lesson.
You’ve learned it well, Br’er Rabbit.
Gettin’ caught’s a nasty habit.

Zip-a-dee-doo-dah, zip-a-dee-ay,
Wonderful feeling, feeling this way!

Zip-a-dee-doo-dah, zip-a-dee-ay!
It’s a time for celebratin’ today!
Zip-a-dee-doo-dah, zip-a-dee-ay!
Gathered together this wonderful day!

NARRATOR
We’re now passing over Critter Country, where Winnie the Pooh, Tigger, Br’er Rabbit, and Br’er Bear make their homes and embark on fun-filled adventures. Although this land was made for critters, human-type folks are always invited to stop in and visit a spell.

We’re traveling along the Rivers of America and into the American frontier as it looked more than a century ago. This area’s so rich with natural beauty and wildlife, you can see why the early settlers were inspired to move west! And you’re seein’ this view just like many of them did—from the comfort of a genuine steam-powered train. When these iron horses first started criss-crossin’ the country in the 1800s, the time it took folks to reach the West dropped from months to a matter of days! Why, steam power not only fueled trains, but the dreams of a whole new generation, as they settled this great frontier.

Say, have you ever wondered what it would be like to visit the cartoon town where Mickey, Minnie, Donald, and Goofy live? Well, in just a few moments you can find out for yourself, because our next stop is Toontown Depot—official train station for Mickey’s Toontown! This is also the nearest stop to Fantasyland—where you’ll find many of your favorite Disney animated characters and stories. If you’ll be leavin’ us here, please wait until the train comes to a full stop. Remember your personal belongings, then step carefully from the train. Y’all have fun, and say hi to Mickey for me! For those of you continuing on with us, we’ll be resuming our trip in just a moment. This is Toontown Depot!

(Train stops at Toontown Depot.)

Hello, everyone! Thanks for joining us on the Disneyland Railroad. For a safe ride, remember to stay seated, with your hands, arms, feet, and legs inside the train. And please, watch your kids.

(Spanish safety spiel.)

As we steam on through Fantasyland, you may wanna take one more look at the majestic Matterhorn Mountain, and the happiest cruise that ever sailed, “it’s a small world.”

Folks, ahead of us lies the future! Well, I guess we all know that… What I mean to say is, we’re headin’ into Tomorrowland—where everything is possible. If you look overhead, you might catch a glimpse of a monorail! When Disneyland introduced the Monorail back in 1959, it was the first daily-operating monorail system in the entire Western Hemisphere. Winding below us is the Autopia—where drivers of all ages can get behind the wheel of a car, and no license is required. If you’ve ever wanted to become an astronaut, then you might want to stop at Space Mountain and Star Tours, where they got some new-fangled flyin’ spaceships that’ll launch you into the deepest reaches of space. And you can ride ’em if you got the mind—huh, and the nerve.

Well folks, we’re now arrivin’ at Tomorrowland Station. If you’ll be leavin’ us here, just stay seated ’til we come to a full stop. Gather your belongings and step carefully from the train. Thanks! Have fun in the future. For the rest of ya, just sit tight. We’ll be on our way again in just a minute!

(Train stops at Tomorrowland Station.)

To those joining us, welcome aboard! The next leg of our journey will take us along the rim of the Grand Canyon. It’s a mighty long drop to the canyon floor, so for your safety, stay seated with your hands, arms, feet, and legs inside the train. Be sure to watch your kids, and no flash pictures, please.

(Spanish safety spiel.)

(Train enters tunnel and goes past the Grand Canyon dioramas.)

That was the Grand Canyon as we know it today. But it wasn’t always that way. Quiet now, as we travel back in time. Back to the fantastic Primeval World—land of the dinosaurs.

(Train passes Primeval World dioramas.)

We’re now steamin’ back to our own time, and to Main Street Station—gateway to Disneyland. If you’ll be leavin’ us here, stay in your seat ’til we come to a full stop. And remember to gather all your personal belongings (includin’ the younguns if you got any), and step carefully from the train. I’d specially like to thank those of you who been with me for the grand circle tour of Disneyland. We sure hope you’ve enjoyed your travels with us and that you’ll come back and see us again real soon! For those of your travelin’ on, we’ll be on our way again in just a few minutes.

(Train stops at Main Street Station.)

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The Many Adventures of Winnie the Pooh (Disneyland)

(Loading area announcements.)

TIGGER
Hulloo out there! It’s me, Tigger—T-I-Double Guh-Er—and bein’ safe is what Tiggers like best! Please stay in your seats, keeping your hands, arms, feet, and legs inside. And grown-up types, please watch your little kids. Hoo hoo hoo hoo. TTFN (ta-ta for now)!

(Spanish safety spiel.)

(Ride begins.)

NARRATOR
One blustery day in the Hundred-Acre Wood, a little bear named Winnie the Pooh set off in search of honey.

ROO
Look, mama, look! I’m a kite!

KANGA
Hang on tightly, Roo!

GOPHER
Happy Windsday!

PIGLET
Oooh!

(Music transitions to “The Rain, Rain, Rain Came Down, Down, Down.”)

PIGLET
Heeeeeelp! P-p-please!

TIGGER
We’ll save ya, Piglet!

EEYORE
First the wind, and now this…

ROO
Whee! This is fun!

RABBIT
Goodness gracious!

(Music transitions to “The Wonderful Thing About Tiggers.”)

TIGGER
Follow me. Right this way, hoo hoo hoo! I’m Tigger, hoo hoo hoo hoo! (His voice turns ominous.) Heffalumps and woozles! Heffalumps and woozles… Steal honey! Beware! Beware!

(Music transitions to “Heffalumps and Woozles.”)

HEFFALUMPS AND WOOZLES (Singing)
A heffalump or woozle is very confuzle.
A heffalump or woozle’s very sly!
Sly! Sly! Sly!

They come in ones and twozles,
But if they so choozles,
Before your eyes you’ll see them multiply!
Ply! Ply! Ply!

They’re extra-ordinary so better be wary,
Because they come in every shape and size!
Size! Size! Size!

If honey’s what you covet, you’ll find that they love it,
Because they guzzle up the thing you prize!
Prize! Prize! Prize!
Beware! Beware!
Beware! Beware! Beware!

They’re black! They’re brown!
They’re up! They’re down!
They’re in! They’re out! They’re all about!
They’re far! They’re near! They’re gone! They’re here!
They’re quick and slick! They’re Insincere!

Beware! Beware!
Be a very wary bear!

(Music transitions to “Winnie the Pooh.” Pooh eats honey.)

WINNIE THE POOH (Spoken)
Mmm. Yum. Mmm. What a wonderful dream!

PIGLET
Wake up, Pooh! Wake up! Wake up, Pooh!

TIGGER
Pooh, boy, it’s yer birthday!

PIGLET
It’s time for your party, Pooh.

RABBIT
Hooray! Happy birthday!

OWL
Happy birthday!

ALL
Hip-hip-hooray! Hip-hip-hooray!

TIGGER
Happy birthday!

OWL
Hooray! Happy birthday!

PIGLET
Hip-hip hooray!

(Ride vehicles begin to exit.)

OWL
I hope you like my gift, Pooh Bear. These are all for you, Pooh Bear! I’m sure you’ll find my present to be quite delicious.

RABBIT
Have you seen so many presents? Open up those presents! Goodness gracious!

EEYORE
Hope you like my present. If you don’t like my present, I’ll take it back… You’ll never guess what it is.

TIGGER
Hoo hoo hoo hoo! Tiggers just love givin’ presents! The wonderful thing about Tiggers is they give the bestest presents.

WINNIE THE POOH
Wasn’t that fun?! Ooh, that was fun.

(Vehicles return to unload area.)

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The Little Mermaid: Ariel’s Undersea Adventure (Disney California Adventure)

*Sung lyrics in bold.

(Queue Safety Announcement)

SEBASTIAN
Hello there, my friends! You are about to go under the sea. So for your safety, please remain seated with you hands, arms, feet, legs, flippers, and fins inside your clamshell—and keep an eye on your little ones. I can’t be everywhere, you know.

(Spanish safety spiel)

(Guests board clamshells and enter attraction.)

SCUTTLE
Let me start at the middle. Wait no—what am I thinking? That’s a terrible place to start a story. I’ll just tell you how it ends. No, wait. I got an idea: I’ll start at the beginning. I was born from a small, blue egg. Wait, wait. Too far. My story’s not near as interesting as Ariel’s. You know Ariel—the mermaid? Ah, what a voice. What a beautiful voice. But let me tell you how that evil sea witch tricked Ariel’s voice away from her. Oh, this is a great story! First, Ariel fell in love with a human. Then, King Triton got all mad and told Sebastian the crab to watch over her. Then, there was lots of dancing and singing—caw! Caw! Well, that was fun. And then—oh, I’m getting ahead of myself. The story began when Ariel fell head-over-fins in love. Wait, no—it began when King Triton asked Sebastian to keep an eye on Ariel. Wait, no—it began when King Triton got all mad, and Ursula took Ariel’s voice and—whoa, this story’s getting away from me. Gotta slow down. I’m getting ahead of myself. This is a great tale. And speaking of tails, Ariel traded hers in for a pair of… um, What do you call those? Those little thingies that make you not a fish? Legs! That’s what this story’s all about. Oh, this is such a great story about how Ariel became a human. But that Ursula. Oooh, she’s so mean. “I’ll make you human if you give me your voice,” she says. And Ariel gets all filibustered, and don’t know what she’s signing. Wait. Hold your seahorses.

(Clamshells go “under the sea” into Ariel’s Grotto.)

ARIEL
I’ve got gadgets and gizmos aplenty,
I’ve got whozits and whatzits galore.
You want thingamabobs? I’ve got twenty!
But who cares? No big deal.
I want more

I wanna be where the people are.
I wanna see, wanna see ’em dancing,
Walking around on those—
What do you call ’em? Oh, feet.

Flippin’ your fins you don’t get too far.
Legs are required for jumping, dancing,
Strolling along down the—
What’s that word again? “Street!”

Up where they walk, up where they run,
Up where they stay all day in the sun.
Wandering free,
Wish I could be, part of that world.

(Clamshells move to ocean floor.)

SEBASTIAN
Ariel, listen to me. Get your head out of the clouds and back in the water where it belongs. We got so much down here, there’s no reason to go up there! Don’t you understand, Ariel? This is where you belong! You may think the water’s always bluer in someone else’s lagoon, but down here is your home. Believe me, Ariel—the human world, it’s a mess. Life under the sea is better than anything they got up there.

Under the sea.
Under the sea.
Darling it’s better
Down where it’s wetter,
Take it from me!
Up on the shore, they work all day;
Out in the sun, they slave away;
While we devoting
Full time to floating
Under the sea.

Down here all the fish is happy,
As off through the waves they roll.
The fish on the land ain’t happy;
They sad ’cause they in the bowl.
But fish in the bowl is lucky—
They in for a worser fate.
One day when the boss get hungry,

BIG FISH
Guess who’s gon’ be on the plate?

SEBASTIAN
Oh no!
Under the sea.
Under the sea.
Nobody beat us,
Fry us, and eat us in fricassee.
We what the land folks loves to cook;
Under the sea, we off the hook!
We got no troubles;
Life is the bubbles!
Under the sea.

FISH CHORUS
Under the sea.

SEBASTAIN
Under the sea.

FISH CHORUS
Under the sea. 

SEBASTIAN
Since life is sweet here,
We got the beat here, naturally.

FISH CHORUS
Ooh, ooh, naturally-y-y.

SEBASTIAN
Even the sturgeon an’ the ray,
They get the urge ‘n’ start to play.
We got the spirit,
You got to hear it
Under the sea

The newt play the flute,
The carp play the harp,
The plaice play the bass,
And they soundin’ sharp!
The bass play the brass,
The chub play the tub,
The fluke is the duke of soul.

FLUKE
Yeah!

SEBASTIAN
The ray he can play
The lings on the strings.
The trout rockin’ out,
The blackfish, she sings.
The smelt and the sprat,
They know where it’s at,
An’ oh, that blowfish blow!

(Clamshells move into Ursula’s cave.)

JETSAM
Poor Ariel. In love with a human… We sent her to the right place.

FLOTSAM
Yes. Ursula will help her.

JETSAM
Poor Ariel.

FLOTSAM
She swam this way. Said something about being in love with a human.

FLOTSAM
We sent her to Ursula.

JETSAM
Yes, Ursula has great powers. See for yourself.

FLOTSAM
Ooh, yes. See for yourself. Poor child. We told her that Ursula could help her and her prince be together…

JETSAM
Forever. Ursula has great powers.

FLOTSAM
So Ariel is with Ursula.

JETSAM
Wants to live happily ever after with her prince.

FLOTSAM AND JETSAM
Happily ever after!

FLOTSAM
Ursula will help her.

JETSAM
Yes. See for yourself.

FLOTSAM
And Ursula’s powers are greater even than Triton’s. She’ll help Ariel all right.

URSULA
I admit that in the past I’ve been a nasty.
They weren’t kidding when they called me, well, “a witch.”
But you’ll find that nowadays
I’ve mended all my ways.
Repented, seen the light, and made a switch.
True? Yes.

Poor unfortunate souls.
In pain. In need.
This one longing to be thinner,
That one wants to get the girl—
And do I help them?
Yes, indeed.

Those poor unfortunate souls.
So sad! So true!
They come flocking to my cauldron,
Crying, “Spells, Ursula, please!”
And I help them—
Yes I do!

Beluga sevruga,
Come winds of the Caspian Sea!
Larynxes glossitis,
Et max laryngitis.
La voce to me!

(Clamshells climb out of the “water” as Ariel turns into a human. They move alongside the marsh.)

SEBASTIAN
There you see her,
Sitting there across the way.
She don’t got a lot to say,
But there’s something about her!
And you don’t know why, 
But you’re dying to try; 
You wanna kiss the girl.

Sha-la-la-la-la-la
My oh my,
Look like the boy too shy.
Ain’t gonna kiss the girl.
Sha-la-la-la-la-la
Ain’t that sad?
Ain’t it a shame? Too bad—
He gonna miss the girl!

Now’s your moment,
Floating in a blue lagoon.
Boy, you better do it soon,
No time will be better.
She don’t say a word,
And she won’t say a word
Until you kiss the girl!

Sha-la-la-la-la-la
My oh my,
Look like the boy too shy.
Ain’t gonna kiss the girl.
Sha-la-la-la-la-la
Ain’t that sad?
Ain’t it a shame? Too bad—
He gonna miss the girl!

(Ariel sings as she stands with Eric. Ursula burns in the distance.)

ARIEL
Ah, ah, ah, etc.

(Clamshells move to finale room. Sea and land creatures dance. King Triton smiles. Ariel and Eric wave.)

SCUTTLE
As you can see, everything worked out swell for Ariel. Of course, sometimes I get a little confounded and confabralated, but otherwise I’m—what’s the word—nuts! Ah, it’ll come to me… But anyway, that’s the story of our little mermaid. Of course she ain’t a mermaid no more—she’s a pretzel now! I mean a princess… a human princess. Well, that’s the way I remember it anyway. Yeah… Where was I? Oh, right! And they all lived—now how does that go—happily ever after! They also all lived in a big castle, which ain’t so bad either! That’s my favorite kind of story—right? Am I right? I’m not such a birdbrain after all!

(Clamshells return to unload area.)

SEBASTIAN
Hahaha, it was so good to see you! We hope you had a wonderful time. Step out to your left now. Hahaha, there you are. Hope you had a wonderful time. Now, please step out to your left. Goodbye!

(Attraction ends.)

(Safety announcements heard when attraction vehicles stop unexpectedly.)

SEBASTIAN
What’s this? You’ve come to a stop! Hmm, maybe it’s that sea witch. Listen to me—stay seated in your clamshell while I get to the bottom of this.

I bring good news! Your clamshells will begin moving immediately. Stay in your seats now.

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Snow White’s Scary Adventures (Disneyland)

(Queue Audio)

OLD HAG
A special sort of death for one so fair. What shall it be, hmm? Oh, the poisoned apple! One taste of the poisoned apple, and the victim’s eyes close forever in the sleeping death. Then I’ll be fairest in the land! (Evil cackle)

(Safety Spiel)

Looking for Snow White, dearie? Then sit still in your seat! And remember, you’re safely in the mine cart ride if your hands, arms, feet, and legs are kept inside—and watch your children! And beware of any apples you may find on the way (Evil cackle).

(Spanish safety spiel)

On the path to see Snow White, hmm? To be sure you arrive safely, stay in your seat; keep your hands, arms, feet, and legs inside; and, oh yes, watch those precious children of yours. On your way now!

(Ride vehicles enter the attraction)

(DWARFS yodel “The Silly Song”)

EVIL QUEEN
These dwarfs can’t hide Snow White from me. Soon I’ll be fairest in the land! (Evil laugh)

(Vehicles pass through the mine, under the two carrion birds, and into the Evil Queen’s castle. Crow caws.)

EVIL QUEEN
Magic mirror on the wall…

(She turns around to reveal the OLD HAG.)

OLD HAG
With this disguise, I’ll fool them all!

(Vehicles pass by OLD HAG standing at her cauldron.)

Have an apple, dearie? (Evil cackle) Apples! Fresh apples!

(Vehicles pass through dark forest. Wicked laughs are heard all around.)

Tasty apple! (Evil cackle)

(Vehicle pass by DWARFS trying to defeat the OLD HAG.)

DWARF
There she goes!

(OLD HAG is struck by lightning and screams as she falls. Vehicles exit into “Happily Ever After.”)

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Mark Twain Riverboat (Disneyland)

(Boarding Announcement)

CAPTAIN
Ladies and gentlemen, this is your captain speaking to ya from the wheelhouse. I’d like to welcome all of you aboard the Mark Twain Riverboat. For safe passage on our trip, please do not sit or climb on the outside rails, and be sure to watch your children. The waters can be unpredictable in these parts, and we’d sure hate to lose any of ya. Also, there should be no fires or smoking on board. Thanks, and now, a few words from the first mate.

FIRST MATE
(Spanish safety spiel)

NAVIGATOR
Secure all cargo! All passengers aboard!

Bowman, cast off bow lines. Engine room, ahead one quarter. Engine room, ahead three quarters. Ledge man, sound off.

LEDGE MAN (Singing)
By the mark. Mark one! Mark twain! Half-twain. Mark three. Mark four. Deep four. Ocean Deep.

CAPTAIN
We’re embarking on a steam-powered journey along the Rivers of America. On our trip, we’ll visit the magnificent Columbia in the great Northwest, the powerful Potomac in the mid-Atlantic, and the rugged Rio Grande along the border of Texas and Mexico. We’ll hear the voices of the pioneers, the native peoples, and a mischievous character or two, telling the unique stories and legends of life along America’s great rivers. We begin our trip on the mighty Mississippi, headin’ south, and ending up down in New Orleans.

(Music begins for “Down in New Orleans”)

SINGER
In the South Land, there’s a city
Way down on the river,
Where the women are very pretty,
And all the men deliver.

They got music, it’s always playin’.
Start in the day time, go all through the night.
When you hear that music playin’,
Hear what I’m saying, it make you feel alright.

Grab somebody, come on down!
Bring your paintbrush, we’re paintin’ the town!
Honey, there’s some sweetness goin’ ’round,
Catch it down in New Orleans.

CAPTAIN
New Orleans is rich in music, history, good food, and ghost stories. How else do you explain all those rumors of a mansion bein’ haunted? Folks say the place is filled with 999 happy haunts, and they’re lookin’ for someone to make it 1,000. Go ahead and find out for yourself, but don’t expect me to go with ya!

We’re now passing Fowler’s Harbor, home port for the three-masted windjammer, the Columbia. And there’s the most famous landmark in these parts. The critters call it Splash Mountain—and watchin’ folks plungin’ over its falls, I think you can see why! I’m at a loss to understand what’s going on here. Perhaps Br’er Frog can shed some light on the situation.

BR’ER FROG
I told Br’er Rabbit he better mend his ways! I told him Br’er Fox and Br’er Bear gonna toss him over the falls, all the way to that there briar patch. Huh, funny thing is, folks seem to love splashin’ down that big old drop.

LEDGE MAN (Singing)
Mark three! Mark three! Quarter left three! Half-twain. Half mark twain! Quarter list. Left flag. Mid-flag and touching!

CAPTAIN
If you’re new to the river, you’re probably wondering about those calls! That’s the ledge man, callin’ out the depth markings so we can avoid runnin’ aground.

LEDGE MAIN (Singing)
Mark twain!

CAPTAIN
Mark twain. Those are the two sweetest words a river man can hear. It means the water is two fathoms deep—safe enough for riverboats like ours to travel through. But Mark Twain means somethin’ else these days. It’s also the name of an author—a witty fella who used to pilot a sternwheeler himself in his day.

MARK TWAIN
When I was a boy, there was but one ambition among my comrades in our village. That was to be a steamboatman. We had ambitions of other sorts—to become clowns or pirates. These ambitions faded out, but the ambition to be a steamboatman always remained. Of course, when I was younger, I could remember everything, whether it happened or not…

CAPTAIN
We’re now travelin’ into the real backwoods country. There’s plenty of wildlife in these parts, but none wilder than Mike Fink. He’s the captain of that Gullywhumper keel boat, and he lives right over yonder in that cabin. And I believe he’s home right now. It sounds as if he’s got visitors. Must be the king of the wild frontier, Davy Crockett, with his good friend Georgie Russell.

Up on the ridge is an Indian chief, giving up a sign of peace. Seems appropriate, given how peaceful the waters are here in the backwoods.

FIRST MATE
Indian village ahead, captain!

CAPTAIN
Ahead, a tribe of plains Indians has set up camp along the river. And there’s the wise old shaman, sharin’ his knowledge with the young braves. If I’m translatin’ properly, he’s tellin’ the story of how a woodpecker taught young tribesmen to carve holes in a hollowed out branch. Blowin’ air through the branch, they created a strange and beautiful sound. That’s how the Lakota discovered the flute.

SHAMAN
(Speaks in Lakota language)

CAPTAIN
As we continue on, keep a close eye on the riverbanks. There’s a good chance we might catch a glimpse of moose, beavers, mountain lions, and other wildlife.

That’s Pirates Lair on Tom Sawyer Island on the starboard side. I tell ya, if there was one thing young Tom Sawyer always said he wanted to be, it was a pirate.

TOM SAWYER
It’s just the life for me! You don’t have to get up mornin’s. And you don’t have to go to school, and wash, and all that blame foolishness. You see, a pirate don’t have to do anything!

CAPTAIN
As we steam back into civilization along the Rio Grande, you can see the towering buttes of Big Thunder Mountain off in the distance. That mountain was the site of the biggest gold strike in these parts, and a railroad was built to haul the riches out. They say that train’s now the wildest ride in the wilderness—and from the screams I always hear comin’ from over there, I’d have to agree!

Well folks, we’re now comin’ up on the Frontier Landing, where our journey ends. On behalf of our entire crew, I’d like to thank you for visiting us aboard the Mark Twain. When exiting our riverboat, you may find the stairways to the right side and back of the boat provide easier passage. We hope you enjoyed your voyage with us, and that you’ll visit us again real soon!

NAVIGATOR
Engine room, approach levy at one quarter steam! Man the bowlines. All passengers, stand by to go ashore!

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Soarin’ Over California (Disney California Adventure)

(Preshow Safety Video)

PATRICK
Hello, and welcome to Soarin’ Over California. My name is Patrick, and I’ll be your chief flight attendant today. We’ll begin boarding in a few minutes, but first, I’d like to acquaint you with some important safety information. When the doors to your flight open, please take a seat and store all carry-on items in the under-seat compartment. This includes cameras, purses, hats, and of course, these little beauties. Next, fasten your seatbelts, inserting them into the buckle on your right. If smaller aviators don’t measure up to the height indicator on the seat, just put the belt through the loop in the center strap before buckling. Nice work pal! Soon you will be airborne, so if you or your little aviators have a fear of flying or of heights, you might wanna wait for your party at the arrival gate. Okay, let’s review: that is seat, seatbelt, carry-on items, safety strap, fear of heights, keep your hands and arms inside at all times—anything else…? Oh yeah, have a nice flight!

(Video ends)

Soarin’ Over California is now ready for immediate boarding. All passengers in gate A may now proceed to the aircraft. We will now continue our boarding process with all passengers in gate B. We would now like to welcome aboard all passengers in gate C.

(Guests move into theatre)

PATRICK
We are now conducting our final systems check. Please stow all carry-on items in the under-seat compartment. For your safety, remain seated with your seatbelt fastened during your flight. And watch your children.

(Spanish safety spiel)

PATRICK
Soarin’ to Tower: we are ready for takeoff.

(Attraction begins and ends)

PATRICK
On behalf of our entire flight crew, thanks for soarin’ over California with us. To unfasten your seatbelt, just push down on the red button on your right. Be sure to gather all your carry-on items from the under-seat compartment and exit to your right.

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